Lynda Hess Art

Lynda Hess ArtLynda Hess ArtLynda Hess ArtLynda Hess Art
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    • Essay by Marcia Morse
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    • Large Canvases
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Lynda Hess Art

Lynda Hess ArtLynda Hess ArtLynda Hess Art
  • Home
  • Lynda's Studio
    • Current Shows
    • In the Studio
  • Ceramics
    • Photo Gallery
    • Ceramics
    • Women's Issues
    • Face Factory
    • Chess Pieces
    • Marble Games
    • Early Work
    • Just For Fun
  • Projects
    • Installation
    • SOLI Project
  • Paintings
    • Painting Gallery
    • Essay by Marcia Morse
    • Breast Cancer
    • Pregnancy/ IVF
    • Samoa
    • Women's Issues
    • Large Canvases
    • Through The Years
  • Contact

Large Canvases

Having a large studio to work in allowed me to expand my vision in physical ways. There is a relationship between my work on the body and how you physically perceive it. Size is another tool an artist can use for effect and communication. Most paintings here are on unstretched canvas hung by velcro and rolled for storage, but a few are triptychs on stretched canvases. Prices are on demand as the condition of each needs to be individually assessed.

Anger

POD

2004

57-1/2" x 60"


Watching how an abusive family related to each other made me see that anger, grief, guilt and depression are similar. Using Medusa as a metaphor for anger highlights that we choose what we are angry about and that the basis of all anger is fear. The heart shaped mirror asks us to look at ourselves with love to synthesize the emotion. Each of her snakes follows a different common source material of anger- religion, self defense (insecurity), protection, nationality, etc. 

Civilized: Two Landscapes

4,800

 1995

54-1/2" x 145-1/8" 

Oil on stretched canvas, triptych 


An outgrowth of the earlier Ayer's Rock Pudding, this painting contrasts the way Western and Aboriginal cultures view earth juxtaposing their approaches to land/scape.  


Bloodlines

POD

1998

84" x 61-1/2"


When Princess Diana was killed in a. car crash, it tore the energetic fabric of the world. I found her to be an archetypal symbol of women- touching so many of the issues that women everywhere have to deal with besides her specific set of personal challenges. This is my tribute to her. The Shakespeare quote at the top is "Bad is the trade that must play fool to sorrow."


Pocket Rocket and the Path to Heaven

POD

2004

84" x 61"


A contemplation on the value and cost of men in a woman's life, the protagonist has a vibrator in one hand as she cuts the  strings of myriad men energetically tied to her, her way of fighting back to determine  happiness on her own terms.

Mommom with Her Devils and Talismans

POD

1997

84" x 59"


I loved my grandmother. My lingering memories are of her sitting watching television,  set in her ways in old age. I've tried to express This behavior/beliefs as protective talismen against her personal devils. 

Temple

POD

1997

59" x 84"


An early piece on the connection of mind and body- looking internally for spiritual answers. 


Garden Variety Goddess

POD

2003

164" x 83-1/2"


Although some details are specific to my experience, they all read universally as the story of how an ordinary woman exists and attempts to thrive in this world. Does all that poop nourish you and inspire extraordinary growth or do you just wallow in it? Find your wings. 


Body Conscious/Back to the Garden

POD

2000

84-1/2" x 14' 4-1/8"


A dreamscape nightmare of looking for a way back to Eden from a woman's perspective as women who are collectively blamed and punished for its loss. 

Saints and the Sainted

POD

2000

84" x 39-1/2"


I am fascinated by saints who are basically people who went against the mainstream religion of the day but earned a following from people who embraced the truth they spoke. St. Augustine on his snake was responsible for much of this, the Christ child bound, the tongue silenced, the myriad symbolic torture devices applied, the momentum over the ages through witch hunts and the ever present suppression of women which we have internalized. 

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